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Running in the Deep with Max Adams

An artist-led ceramics workshop exploring clay, drawing, memory and the deeper history of studio pottery.

 

Join resident potter Max Adams for Running in the Deep, a thoughtful and experimental ceramics class shaped by his own artistic practice and research into British studio pottery.

Max’s work moves between making, drawing, historical research and close observation. After years working as a production potter in the United States, Max moved to London to complete an MFA at the Royal College of Art, where his practice explored the forms, traditions and visual language of British studio ceramics. In this workshop, Max invites you into that way of looking: slower, deeper and more attentive to the life of an object.

Rather than focusing on one fixed outcome, Running in the Deep is about entering into conversation with clay. With Max’s guidance, you will explore how a ceramic form can hold memory, weight, gesture, pressure and touch. Through guided making, observation and discussion, Max will help you think about the object not only as something to be made, but as something to be read: a record of the hand, the body, the tool and the history behind it.

This is a class for people who want to go beyond the surface of pottery. Max will encourage you to experiment with form, texture, mark-making and construction, while considering how artists and potters have used clay to express place, rhythm, ritual and everyday life.

 

No previous experience is needed. This workshop is open to complete beginners, artists, designers, students, ceramicists and anyone curious about clay as both a material and an artistic language.

 

What To Expect:

  • A 2.5-hour hands-on class in our Stockwell pottery studio led by Max Adams
  • An introduction to Max’s practice, including the relationship between pottery, drawing and British studio ceramics
  • Open conversation about how ceramic traditions develop, change and carry meaning across generations
  • Hands-on exploration of clay as a responsive material, focusing on touch, pressure, balance, proportion and surface
  • Experimental making using hand-building, forming, carving, joining, mark-making and textural techniques
  • Ways of looking closely at ceramic objects: their profiles, edges, weight, shadows, surfaces and traces of process
  • Guidance from Max on developing an object or small group of objects that reflects your own response to the material
  • Support from the Sofia Ceramics team throughout the session
  • Tea, coffee, snacks and a calm studio atmosphere

 

Need to Know:

  • No experience needed — perfect for beginners, artists, students, designers and curious makers
  • Clay can get messy, so please dress accordingly
  • Great as a ceramic workshop gift, creative date, solo studio experience or thoughtful group activity
  • Your selected work will be fired and prepared in the Sofia Ceramics studio
  • Finished pieces are usually ready in 4–6 weeks, depending on the studio firing schedule
  • Can’t collect your finished piece? We can post it within the UK for an additional cost

This is pottery in London that feels less like a standard class and more like a slow art date with clay, guided by Max’s deep knowledge of making, drawing and ceramic history.

 

Who this class is for:

  • Artists and designers interested in material practice
  • Students looking to explore ceramics through research, drawing and observation
  • Developing makers who want to think more deeply about form and surface
  • Beginners who want a thoughtful, creative introduction to clay
  • Anyone interested in the history and visual language of pottery
  • People looking for a more meaningful London pottery experience

 

📍 Visit Us

Sofia Ceramics Studio
Stockwell, South London
Easy access from Clapham, Brixton & Vauxhall
Looking for "pottery classes near me"? You're already close.

 

🎁 Gifting a Class?

All our workshops are available as ceramic class gift cards — the perfect present for birthdays, anniversaries, new homeowners, or that friend who’s watched every episode of The Great Pottery Throw Down. Choose from digital or physical gift options. You can also pair a class with a Sofia Ceramics gift card for a thoughtful, memorable experience.

 

📸 Don’t forget to tag us

Love seeing your work in the wild? So do we.
Share your creations and behind-the-scenes shots with @sofiaceramics — we might just feature your piece next.

 

📩 Email us at info@sofiaceramics.co.uk to plan your next pottery party, corporate workshop, private class, or bespoke session with Max and the Sofia Ceramics team.

Running in the Deep with Max Adams | Wed 25 Feb 2026 | 18:30–20:30

£150.00Price

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    OUR STUDIO

    Our dinnerware is handmade in our studio in London, UK by a small team of potters. This is where we design, form, glaze, pack and ship our dinnerware to you or a restaurant near you.

    OUR PRODUCTION PROCESS

    We use many techniques to produce our dinnerware depending on the form. Jiggering, throwing and hand-building are the main ones. There are many steps involved in this process and we handle one piece many times till we fire it, pack it and ship it. 

    Each potter in our team is trained to produce beautiful dinnerware and each piece of dinnerware carries the marks of our fingerprints and is unique!

    Our studio is equipped with 3 potter's wheels and 4 kilns that we fire daily .

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    OUR GLAZING PROCESS

    We spray glaze our plates and bowls and dip or use a glaze pump for our cups and smaller pieces. Glazing is one the steps that takes a lot of practice to achieve a consistent result. After an item is glazed we sponge the rim to create a crisp cut between the clay and the glaze.

     

    Every time we open our kiln we learn something new about our glazes and the process and every piece is unique on how it has interacted with the glaze during the firing.

    THE FIRING PROCESS

    Our dinnerware is fired at 1230 degrees Celsius. Made out of stoneware clay and fired at this temperature is what makes them durable and can last in commercial kitchens.

    When we look through the peep hole of our kiln towards the end of the firing circle everything is red and bright as well as extremely hot. These high temperatures are required for the glaze to melt and for the plates to become durable!

    During these high firing circles the clay shrinks between 4%-7% depending on the firing schedule as well as the position inside the kiln. These differences is what make the item handmade and unique and why we love them. 

    SIZING THINGS

    If you're not local or have recently discovered us, this page will be a valuable resource for understanding our products. We know that seeing and comparing items is an essential part of the shopping experience. Our chart includes comparative images of all our bowls and plates, along with their intended uses, to assist you in making the right choice. Happy shopping!

    Please note: Due to the handmade nature of the products there might be small differences in sizing of up to 4% from one item to another. All dimensions are approximate.

    There are many steps in the process of producing a dinnerware and although we try to be consistent in sizing our dinnerware have differences of up to 4%. These differences are happening during the trimming process or even the firing process where the clay shrinks between 4%-7% depending on the firing schedule as well as the position inside the kiln. These differences is what make the item handmade and why we love them.

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